1960’s Music Site
Procol Harum Sixties Singles
Procol Harum Albums
Book - Procol Harum: Beyond the Pale
Procol Harum: Live at the Union Chapel (DVD)
Procol Harum
Shine on brightly - Procol Harum
Procol Harum - A Salty Dog
Procol Harum (40th anniversary series)
In The Wee Small Hours Of Sixpence
Click inside the boxes below for Track Listings, Reviews, Comments and Biographies.







Salvo, in association with Fly Records, have enlisted the assistance of songwriters
and band mainstays Gary Brooker and Keith Reid in presenting Procol Harum’s early
albums as a part of their meticulously produced 40th Anniversary Series. Procol’s
classic recordings are to be collated chronologically for the first time accompanied
by copious bonus tracks - including previously unreleased masters - and highly detailed
booklets. In 1968, with their reputation in the ascendant, and having just signed
to Herb Alpert’s A&M label in the USA, it was decided that the bands second album
should be released in the States a good six months before the UK. It proved a good
decision - and by the end of 1968, Shine On Brightly had reached No.24 on the US
album charts. This would be the album that cemented Procol Harum’s position as one
of the most imaginative and forward-looking groups of the era - a band more than
capable of emerging from the shadow of their debut single, A Whiter Shade Of Pale.
With the success of Shine On Brightly, musical comparisons were being drawn between
Procol Harum and The Band. Both groups relied on the same line-up of organ, piano,
guitar, bass and drums. And with the release of their own Music From Big Pink in
the summer of 1968, The Band were finally being recognised as more than just Bob
Dylan s backing group. Some perceptive critics noted the influence of Procol Harum
on Big Pink; while Shine On Brightly - a far more assured and confident sounding
album than their debut - confirmed how much further Procol themselves had developed.
Opening with Quite Rightly So (Procol’s third single), Shine On Brightly displayed
a band at the top of their game and determined to stay there. Keith Reid’s lyrics,
as inscrutable as ever, were particularly impressive on the title track, Skip Softly
(My Moonbeams) , and Magdalene (My Regal Zonophone) . But in hindsight, it was the
17 minute In Held Twas In I which would prove the albums most influential track.
Divided into five movements , the song starts with Glimpses Of Nirvana , a wry spiritual
quest; continues with the sprightly Twas Teatime At The Circus , which is at direct
odds with the sombre In The Autumn Of My Madness , which in turn flows into Look
To Your Soul before concluding with the triumphant Grand Finale . In later years
Pete Townshend would cite In Held Twas In I as one of the building blocks which helped
fashion Tommy; while Brian May maintained that the Procol suite had played a formative
role in the Queen sound - indeed, there are distinct echoes of In Held Twas In I
in the scene-shifting Bohemian Rhapsody.






The sailor leering out at you from the front cover (a parody of the old Players Navy
Cut cigarette packet regarded as one of the greatest sleeve designs in rock) signals
- even before you hear a note - that there is something different about A Salty Dog.
But when you do listen, it becomes clear - from the sweeping title track that opens
the album, to the serene Pilgrims Progress which brings it to a conclusion - that
A Salty Dog is quite simply Procol’s most rewarding album. In fact, it has long been
viewed as their masterpiece; one of the high watermarks of late-60’s rock culture
as well as one of finest examples of a rock album co-opting elements of classical
music. When the title track was released as Procol’s fourth single during the early
summer of 1969, the reviews were ecstatic. NME judged it positively stunning; Disc
thought it perfection ; Melody Maker’s Chris Welch raved: Their finest hour... one
of the greatest pop singles to emerge in recent years. Grandiose and sweeping, the
title track remains one of Procol’s finest recorded moments - and its relative failure
as a single, and that of the subsequent album, grows ever-more baffling with the
passing years. Besides the epic sweep of the title track, the album also contained
the towering Wreck Of The Hesperus and Pilgrims Progress . Breaking away from their
familiar piano-organ dialogue, the album also incorporated elements of folk (Too
Much Between Us), blues (Juicy John Pink), and even heavy metal (The Devil Came From
Kansas). Looking back, at the millenniums turn, The Mojo Collection remembered A
Salty Dog as a swirling, Gothic tale, drenched in salt spray... progressive rock
at its very best, Procol Harum in excelsis. Certainly, few bands ever proved themselves
as audacious in the studio as Procol Harum did with this album, which makes the fact
that it only reached Number 27 in the UK album chart even more puzzling. Procol were
a major touring attraction across in the USA around the period that the album was
recorded, delivering acclaimed concert performances from coast to coast. The six
bonus cuts featured on this release include four towering, previously unreleased
live recordings that are certain to excite their fans.


Their music was a particularly majestic hybrid. Keith Reid’s expansive, highly cinematic
lyrics crowned an instantly identifiable sound. Strong R n B influences were integrated
with classical themes. Gary Brooker’s lue-eyed soul vocals were accompanied by a
hallmark dual keyboard sound (a Steinway grand piano and a Hammond organ), bluesy
guitar playing, rock-inspired percussion and melodic bass lines, forming the essence
of a uniquely British ensemble. Salvo, in association with Fly Records, have enlisted
the assistance of songwriters and band mainstays Gary Brooker and Keith Reid in presenting
the Procol Harum’s early albums as a part of their meticulously produced 40th Anniversary
Series. Procol’s classic recordings are to be collated chronologically for the first
time accompanied by copious bonus tracks - including previously unreleased masters
- and generous, highly detailed booklets. A wonderful album that built on the lavish
promise of their first two singles, which weren’t originally included, and proved
very influential in its own right, Procol Harum’s eponymous long-playing debut is
here augmented by the inclusion of the timeless A Whiter Shade of Pale, the follow-up
smash Homburg and a variety of rare and previously unreleased cuts selected by Gary
Brooker. If any song can be said to encapsulate an era - to immediately conjure up
the sights, sounds and smells of a particular time - then A Whiter Shade Of Pale
is surely that song. For a whole generation A WHITER SHADE OF PALE remains the emblematic
anthem of that Summer of Love. And even now, 40 years on, the song remains a haunting
tale of mystery and imagination. Thanks to the extraordinary success of A WHITER
SHADE OF PALE, the recording of the album had to be staggered, slotted in between
a hectic round of one-nighters all over the UK. And when it hit No.5 in the US during
the summer of 1967, transatlantic travel had to be factored in too. After such an
interrupted gestation it would not have been at all surprising if the LP had lacked
continuity, but in fact Procol Harum is a remarkably cohesive record. The foundations
for a whole school of specifically English rock music were laid by A WHITER SHADE
OF PALE and by the tracks on this album. Even the albums cover managed to capture
the spirit of the times. Drawn in the style of Aubrey Beardsley, the illustration
was perfectly in keeping with the faux-Victorian flavour established by Sgt Pepper
and here we have used the rare pink Italian version.
Procol Harum: Live at the Union Chapel is a record of the final performance of the
band's 2003 world tour, taped on December 12 before a small London crowd. The venue
was an inspired choice. As a performance space, the Gothic church is at once both
intimate and grand, a perfect mirror for the band's odd but cogent mix of bar-band
boogie and classically tinged prog rock. The 22-song concert includes eight selections
from The Well's on Fire, Procol Harum's 2003 studio album. Most of the newer songs
are strong (particularly "The Question" and "An Old English Dream"), and the band,
having honed its arrangements to a T, does an exceptional job of blending its recent
music with its older material. Singer-pianist Gary Brooker and organist Matthew Fisher,
both original members, lead the way through time-honored favourites like "Homburg",
"Conquistador" and their immortal 1967 hit "A Whiter Shade of Pale".


Procol Harum - Beyond The Pale
In May 1967, Procol Harum smashed into the charts all over the world, and into chart
history, with a song called "A Whiter Shade of Pale". Combining Gary Brooker's soulful
voice, Keith Reid's enigmatic lyrics and Matthew Fisher's sweeping organ, it became
one of the enduring anthems of the 1960’s. Before they split in 1977 Procol Harum
went on to make some of the best albums of the era, including classics such as "Shine
on Brightly" and "A Salty Dog". This book, drawn from years of research by musician
and novelist Claes Johansen, is an insightful look at one of Britain's finest ever
rock acts.
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