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Roy Orbison
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Roy Orbison - Greatest Hits DVD
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Crying -
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The Essential Roy Orbison
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Originally released in 1962 the second album with Monument Records from one of pop
music’s great vocalists Roy Orbison “Crying”. The single a ballad was a big hit in
1961 and is one of those extra ordinary songs that seem to live on forever. The majority
of the songs on the album Roy co-
The Essential Roy Orbison
From his hardcore '50s Memphis start to his symphonic 1960s masterpieces and his
stunning 1980s come back, Roy Orbison's uniformly extraordinary recordings still
rank today as some of American music's finest. Gifted with a soaring voice that conjured
vulnerability and loss with acute precision, the Texas-
The Last Concert
On December 4, 1988 in Akron, OH, Roy Orbison took to the stage for what would be the final time, prior to his sudden passing two days later. With Roy and his band performing a series of greatest hits.
The Last Concert is an excellent legacy for one of America s most treasured voices.
The album features no less than 7 Top-
The Last Concert - Roy Orbison
This is an entertaining and valuable document, bringing together a disparate lot
of live performances from Roy Orbison's career for a tour de force package of the
singer's greatest songs, all in Dolby Digital 5.1 and DTS Digital Surround. It's
a treat to see Orbison at several stages of his career, in black & white and color,
in a variety of places and with different musicians; the absence of dates or locations
is a drag, but those familiar with Orbison's video catalog will recognize his Live
at Austin City Limits show and the superb Black & White Night (with Bruce Springsteen
and a host of other big-
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Roy Orbison's music—whether heard in his own recordings or in cover versions of his songs—is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs.
Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss.
Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters.
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