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Year
                   A Side
                 B Side
1962
Mixed Up Confusion
Corrina Corrina
1963
Blowin' in the Wind
Don't Think Twice, It's All Right
1964
The Times They Are a-Chingin'
Honey, Just Allow Me One More Chance
1965
Subterranean Homesick Blues
She Belongs to Me
1965
Maggie's Farm
On the Road Again
1965
Like a Rolling Stone
Gates of  Eden
1965
Positively 4th Street
From a Buick 6
1965
Highway 61 Revisited
Can You Please Crawl out Your Window
1966
Queen Jane Approximately
One of Us Must Know
1966
Rainy Day Women #12 & 35
Pledging My Time
1966
I Want You
Just like Tom Thumb's Blues
1966
Leopard-skin Pill-box Hat
Most Likely You Go Your Way
1966
Just Like a Woman
Only Five Believers
1967
If You Gotta Go, Go Now
To Ramona
1968
All along the Watchtower
I'll Be Your Baby Tonight
1969
I Threw It All Away
Drifter's Escape
1969
Lay Lady Lay
Peggy Day
1969
Tonight I'll Be Staying Here with You
Country Pie

Bob Dylan  Singles A Sides and B Sides

Bob Dylan

CD Universe - Find New Release Music CDs by Music Artist, Studio Label or Music Album Title

Bob Dylan  Albums

The Freewheelin' Bob Dylan

The Times They Are a-Changin'

Another Side of Bob Dylan

Bringing It All Back Home

The Freewheelin' Bob Dylan

 

Dylan's outstanding second album is a tremendous jump from its predecessor. Whereas the debut established him as a peerless interpreter of folk and country-blues classics, and a singer like none before, this followup features some of the most pungent original songs of the '60s. "Blowin' in the Wind," "Masters of War," "A Hard Rain's A-Gonna Fall," "Don't Think Twice, It's All Right," "I Shall Be Free": if this sounds like the lineup for a greatest-hits collection, you've got the idea. Nat Hentoff's liner notes are charmingly dated, but Dylan's idiosyncratic singing, unexpected lyrics, and inimitable guitar and harmonica playing are as immediate and relevant as whatever you heard on the radio today. (As great as this is, there's much more: a handful of top-rank outtakes from Freewheelin' appear on the Bootleg Series box set.) --Jimmy Guterman

 

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The Times They Are a-Changin'

 

This is the re-released, remastered version. One of the darkest of Dylan albums, Times... is the work of a 22-year-old who sounds no less sick of it all than the ailing 55-year-old who made Time out of Mind. There's a place here for rousing protests such as the title track and "When the Ship Comes In", but those songs are outnumbered by the equally powerful, drainingly pessimistic likes of "Only a Pawn in Their Game", "The Lonesome Death of Hattie Carroll", and "The Ballad of Hollis Brown". It's as if Dylan had to deliver his grimmest topical material before moving on to Another Side's liberation and laughs. --Rickey Wright

 

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Another Side of Bob Dylan

 

This set captures a still-growing Dylan on the edge, just before he makes the jump to rock & roll, continuing to expand the notion of folk music with openhearted, unprecedented compositions and performances like "All I Really Want to Do," "Chimes of Freedom," "My Back Pages," and "It Ain't Me Babe." If Dylan's previous album The Times They Are A-Changin' was a bit too literal and focused on current events, Another Side indulges Dylan's more mythic and expansive side, making more rumor for the humor that would explode when Dylan formed a band. It's just Dylan, guitar, and harmonica here, but Another Side is a rock & roll album without that band. --Jimmy Guterman

 

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Bringing It All Back Home

 

"You sound like you're having a good old time," a purist Dylan fan is spotted telling the artist in the documentary Don't Look Back just after the release of this, his first (half-)electric album. He certainly does. Updating Chicago blues forms with hilarious, tough lyrics--in fact, all but stealing the meter of Chuck Berry's "Too Much Monkey Business" for "Subterranean Homesick Blues"--on one side, dropping some of his most devastating solo acoustic science ("It's All Over Now, Baby Blue," "Mr. Tambourine Man") on the other, the first of Dylan's two 1965 long-players broke it right down with style, substance, and elegance. --Rickey Wright

 

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